Fiction is in red. Date of first publication in (parentheses).
112. Dark Tide: The Great Boston Molasses Flood of 1919, Stephen Puleo (2003)
113. Charlotte Brontë: A Life, Claire Harman (2015)
114. Fall to Pieces: A Memoir of Drugs, Rock 'n' Roll, and Mental Illness, Mary Forsberg Weiland (2009)
all 2015 booklist posts
Friday, December 18, 2015
Thursday, December 17, 2015
Thursday, December 10, 2015
Saturday, December 5, 2015
(I gotta love how at the height of the grunge era, Scott is wearing boots, jeans and I think a thermal underwear top, but his bleached hair is neatly styled and he's got a sparkly unbuttoned shirt draped over the top. Was this before or after their Unplugged? the set's remarkably similar.)
I also hear a fascinating and affecting theme of mortality and human frailty throughout your records, specifically on songs like “The Sickness Unto Death” and “Summer Home” that seem to explore your struggle with Lyme disease and the bug that bit you. What are some ways that struggle has informed, or not informed, your songwriting?
I wrote that song “The Sickness Unto Death” not only about me, and my “death,” but I’d also been reading the Danish philosopher Soren Kierkegaard, and he wrote his book The Sickness Unto Death, which I plagiarized the title from. And maybe songs aren’t the right …form for those kinds of ponderings, but that’s the only thing I’m interested in writing about. With music, it’s a very interesting synthesis for me – especially trying to make the themes in the instrumentals reflect the themes in the words. It’s difficult.
Even going back to Greek philosophy, and this idea that as you get older, you start to lose your desires, which can be a good thing and a bad thing, this losing of desires for sex, or for food, because all those things are causing you pain. But I imagine, because on the other hand I see a lot of bad coming from people’s desires, and desire itself being kind of an interesting point. So that’s why I have an album called Hunger and Thirst, meditations on why we want to be anything.
When I started realizing all the things I wanted to do with my life, I didn’t want them, I just imagined wanting to be this person who was doing those things. And then I got sick [with Lyme disease], and it kind of ruined all those plans I had and I had to adapt, and it caused a lot of bitterness in me for a long time. It still does. I never grew tall, I never had the childhood that you’re supposed to have, without pain. But then maybe you don’t –maybe no one has that.
Letting go of the idea of what we thought we were promised?
Yeah. All these promises, they’re tenuous. On this last record, on the song “Summer Home,” and in lots of songs, you will see that reference to a bug that bit me, which is just –this beast, you know? This thing that affects your life, and never even seeing it. It’s almost not even the tick itself. It’s the implications of it. It becomes a symbol. It’s when you first realize that some of these promises you have, assume or take for granted that you deserve it, and that’s a pretty sobering moment.
I think “The Sickness Unto Death” does feel, at the end, like a quiet and dark place of death, but then there is also definitely, as a listener, this feeling of rebirth asinto “The Honest Truth,” which is like the next step – at least in my mind.
Yeah, I’ve been trying to research this for a long time, but music — I imagine its early roots being tied and intertwined with early religion. And nowadays, the world is such a secular place, but we still have music, and it still has something sacred about it. There’s glimmers out there.
Friday, December 4, 2015
I remember sitting through this whole dumb special when it came out (I was bored, it was pre-web-two-dot-oh, what do you want from me) and Weiland was the only one who seemed to be at all channeling Morrison, despite not having That Voice.
Which, in hindsight, might not actually have been a good thing.