(A man is freed after forty-seven years in the Bastille.) This city, so beautifully peopled with living beings, it is for him a necropolis; no one knows him; he knows no one; he weeps and longs for his cachot.- from Mercier's Le Tableau de Paris, quoted in the Notes to the Penguin edition of A Tale of Two Cities
Crushed by grief, he goes to find the Minister whose generous compassion has made him a present of that liberty which so weighs upon him. He bows and says: Let me be taken back to the prison from which you have drawn me. Who can survive his parents, his friends, an entire generation? Who can learn the universal death of his own people without longing for the tomb? All these deaths which, for other men, arrive separately and little by little, have struck me at once. Separated from society, I lived with myself. Here I can live with neither myself nor new men for whom my despair is but a dream. It is not death which is terrible, it is to die the last of all.
....He scarcely wants to communicate with that new race whom he has not seen born; in the middle of town he makes himself a retreat no less solitary than the cachot which he had lived in half a century; and the grief of encountering no one who can say to him, we saw each other of old, speeds him to his grave.
Compare this with the ending of Oscar Wilde's bitter post-prison fable, "The Doer of Good":
And when He had passed out of the city He saw seated by the roadside a young man who was weeping.
And He went towards him and touched the long locks of his hair and said to him, 'Why are you weeping?'
And the young man looked up, and recognised Him and made answer, 'But I was dead once and you raised me from the dead. What else should I do but weep?'