Friday, November 21, 2014

'zombies will always be there, stacked up like cordwood in the closet, a standard tool ready-to-hand for any creator with no better ideas'

(Written about games, but it works equally well for writing, movies, anything creative. Look, I liked zombies too, WAY BACK WHEN. But they are DONE.)

(also, I finally saw Shaun of the Dead and y'all are tripping balls, that was *horrible*)

The zombie apocalypse is the weakest apocalypse. The threat of apocalypse is an actual non-fictional thing. There’s climate change, peak oil, peak water, near-earth objects, toxin accumulation, supercalderas, plus there are still enough nukes lying around to end civilisation several times over. On a less global scale, there’s economic collapse, conquest, genocide, colonialism, poverty, homelessness. Postapocalyptic fiction has potential to get us to think about this: but the zombie apocalypse has become a formulaic, often escapist fantasy that avoids the genuinely uncomfortable in favour of squick and headshots. Triffids would be better at this point.

Zombies are the othered enemy. We have a culture that cheerfully divides human beings into those whose deaths must be treated as deeply, individually serious, and those whose deaths can be written off as regrettable but basically inconsequential or necessary. Zombies serve that motive. In particular, the central threat of modern zombies is: a faceless, innumerable mass of mindless, violent, contagious people bent on tearing society apart. That is… just the tiniest itty bit problematic.

Zombies are not actually all that scary if you de-stress the Mindless Inhuman Horde element. Largely this is because we know how they work by this point. (I suspect this has a lot to do with their popularity: they’re homeopathic horror. ‘Oh no, the disgusting mortality of the human body!’ ‘Can we fix it with violence?’ ‘Yes. Yes, we can.’) There are a number of scary things buried in there, but most of them have been bled dry by overuse. Boring territory is safe territory, and vice versa.

- Sam Kabo Ashwell